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His wealth and privilege have sheltered him from the everyday difficulties of life, but it’s made him naive and immature, rather than cruel and superior. And along the way, both Ha-nis spur a true healing of the barely-scabbed over wounds that have been hurting their family for the last twenty years.Īt first, Yoo-hyun might seem like a boring redux of the spoiled chaebol manchild, but unlike his too-rich-to-have-a-heart predecessors, he’s a ball of sunshine that spreads light wherever he goes. (Mom made me cry multiple times.) Both Lee Re and Choi Kang-hee are absolutely radiant in their roles, Lee bringing an incandescent charisma that makes it absolutely believable that she’d be the center of her world wherever she goes, and Choi slowly blooming before our eyes as she regains her will to live, her determination to succeed, and finally her self-worth. Their dynamic was my favorite part of the drama, although the Ha-nis’ relationship with their mom is a very close second. Young Ha-ni is still the bright, shining girl who knows in her bones that she’s the next Lee Hyori and won’t let anyone tell her otherwise, and it’s beautiful to see that confidence and energy-as much as it initially grates on her-unstoppably bleed over into older Ha-ni and give her a new lease on life.
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Ha-ni’s worst day is not a sudden strike of lightning, but the exhausted culmination of twenty years under her own personal raincloud.Īnd that’s when the twin suns of Baby Ha-ni and Yoo-hyun enter her life, and innocently cause enough trouble to completely upend Ha-ni’s miserable routines of being ground down at work by her weaselly boss, and ground down at home by her vicious older sister. All the glow went out of her, and she’s been living under that shadow of self-hatred and recrimination for the last twenty years. There’s an inevitable adjustment that’s part of the maturing process, as we take our lumps and realize that the world is a much harsher place than we imagined.įor Ha-ni the contrast between now and then is even more extreme, because of the first time she gave up on life, right after her father died. The scene that lingers in my mind is young Ha-ni, after witnessing her older self repeatedly demeaned and discarded by society, asking adult Ha-ni, “How dare you give me such a miserable and humiliating future?” It’s a fantastical premise rooted in a poignant truth: we never grow up to be the kind of shining, successful people we dreamed we would in high school.
SELFIE MARATHI DRAMA REVIEW SERIES
Being locked up in the same police station, and then running into each other repeatedly during a series of low moments, bonds them early on as comrades of a sort, even if he’s more of a helpless, awkwardly tall duckling that she repeatedly bails out-and who imprints on her like the adorable pest he is.īut the heart of the show is the crash-landing of 17-year-old Ha-ni into present-day Ha-ni’s life, bringing about a series of healing catastrophes. Yoo-hyun has simply been kicked out by his rich father and told to finally get a real job at the age of 30. Her Worst Day Ever is far more dire than his, given that she’s newly fired and almost died-and is DONE with life, actually mad that the doctor revived her. I loved it unreservedly.ģ7-year-old Ha-ni and Han Yoo-hyun have a very un-cute meet in neighboring jail cells on the worst day of both their lives. (I also love that these “loan repayment experts” become Ha-ni’s friends.) At its heart, it’s a story about allowing yourself to heal and believing you’re worth something-and trusting the people around you to catch you when you fall. But there’s a core of sincerity and grounded emotion that makes the drama feel anything but slight.Įven hilarious moments like Ha-ni being “saved” from jumping off a bridge by gangsters hold a kernel of sadness, because not too long ago, she did want to die. The humor can be silly, and the plot and dialogue are highly predictable-every development as slow and obvious as the oncoming Truck of Doom that makes not one but two pivotal appearances in the story. I initially checked this show out solely out of love for leads Choi Kang-hee and Kim Young-kwang, but I was sold almost immediately. I wasn’t sure what to think of the premise of a time-traveling teenager from twenty years ago who suddenly appears in her older self’s life. Its two heroines, teenage and adult Bahn Ha-ni, not only transform each other, but inevitably everyone else in their orbit as well. Hello? It’s Me! is a warm, lovely drama about regaining your self-worth and finding your mojo again, featuring a charming cast of characters and a simple but heartfelt story with plenty of humor. 26 ApApHello? It’s Me!: Series review by Anisa